Gregg has arranged a lovely set of the lesser-known songs of Albéniz called Rimas de Bécquer for voice and guitar as well as for violin and guitar and cello and guitar. These songs are based on poems of Gustavo Adolfo Bécquer. Clear Note has published the scores for all three settings and they are available using the above links.
I. Besa el aura que gime blandamente
II. Del salón en el ángulo oscuro
III. Me ha herido recatándose en las sombras
IV. Cuando sobre el pecho inclinas
V. ¿De dónde vengo? El más horrible y áspero
Isaac Albéniz’s (1860-1909) name immediately conjures up his piano masterpiece Iberia and various works that have met their success in fine transcriptions for guitar and that are a staple of the repertoire for the instrument. But sprinkled through his tremendously active career as a composer and piano virtuoso, ensemble musician, conductor, impresario and piano teacher are his songs – over thirty of them!
These songs show a different side of the composer. More carefully considered than familiar light-weight salon pieces, they display a greater sensitivity and attention to detail.
The Rimas de Bécquer (Rhymes of Bécquer) (1885), like the poems themselves, are succinct works (the longest does not exceed thirty-three measures). The repeated rocking motion in the accompaniment of the first song, for example, characterizes the motion of the waves, while the frenetic arpeggiations in the last song dramatize the narrator’s extreme agitation.
Together, these early jewels mirror in microcosm the development of his unique voice and style in masterworks that were to come and that tie him as a major musical icon in the Spanish Nationalist style.